Los Angeles based MizEnScen is obsessed with doing this. This very cryptic artist is a digital collage/illustration artist who cuts and pastes what looks like imagery from old, forgotten academic texts. She takes them and layers them atop of each other to make sometimes silly portraits to beautifully textured florals growing out of bones.

A woman prays at the edge of a river during a protest against the building of a pipeline near the Standing Rock Indian Reservation near Cannonball, North Dakota, U.S. November 2, 2016. (Photo by Stephanie Keith/Reuters)

Women hold a demonstration on Backwater Bridge during a protest against plans to pass the Dakota Access pipeline near the Standing Rock Indian Reservation, near Cannon Ball, North Dakota, U.S. November 27, 2016. (Photo by Stephanie Keith/Reuters)

The Founders' Award winner, Downey Rose Float Association “Exploring the Everglades” float, moves through 127th Rose Parade in Pasadena, California January 1, 2016. (Photo by David McNew/Reuters)

Chantel Sydnor participates in the annual Sturgis Motorcycle Rally in Sturgis, South Dakota, August 4, 2015. This year marks the 75th anniversary of the rally expected to draw hundreds of thousands of motorcycle enthusiasts from around the world for events throughout the week-long festival, according to organizers. (Photo by Kristina Barker/Reuters)

The International Trophy float on the parade route during the 123rd Rose Parade presented by Honda on January 2, 2012 in Pasadena, California. (Photo by Frederick M. Brown/Getty Images)

#Petheadz – is an Instagram series by Zach Rose, a 23 year old photographer/filmmaker from Toronto. (Photo by Zach Rose)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.